Citizen-Scholar-Artist
September 30, 2008 by Dennis Baker
Dr. Scott Walters writes an excellent post entitled Teaching Alternatives around an excerpt from Jill Dolan’s Utopia in Performance: Finding Hope at the Theatre.
Walters goes on to describe theater schools as “the place where actors had their individuality erased, where they were beaten down and taunted and diminished as part of a ‘reshaping’ process that is called ‘training’”. The excuse is that the world and the industry will be even worse so the schools have to act in the same manner. Through Walters and Dolan’s classes hopefully students will be able to recognize and desire alternative ways of exploring what it means to train as an artist.
The summary on Amazon states:
What is it about performance that draws people to sit and listen attentively in a theater, hoping to be moved and provoked, challenged and comforted? In Utopia in Performance, Jill Dolan traces the sense of visceral, emotional, and social connection that we experience at such times, connections that allow us to feel for a moment not what a better world might look like, but what it might feel like, and how that hopeful utopic sentiment might become motivation for social change.
She traces these “utopian performatives” in a range of performances, including the solo performances of feminist artists Holly Hughes, Deb Margolin, and Peggy Shaw; multicharacter solo performances by Lily Tomlin, Danny Hoch, and Anna Deavere Smith; the slam poetry event Def Poetry Jam; The Laramie Project; Blanket, a performance by postmodern choreographer Ann Carlson; Metamorphoses by Mary Zimmerman; and Deborah Warner’s production of Medea starring Fiona Shaw. While the book richly captures moments of “feeling utopia” found within specific performances, it also celebrates the broad potential that performance has to provide a forum for being human together; for feeling love, hope, and commonality in particular and historical (rather than universal and transcendent) ways.
Related posts:
- Epic Theater Citizen Artist Conference
- Freelance Artist: Debunking the Myth of the Starving Artist
- Abolish Undergraduate Art Majors
- The 13
- Don’t Think, Act.
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There is nothing worse than having a casting director, or director, seem not interested during an audition because they have seen a monologue way too many times. Check out the e-book to see if your audition monologues are considered over done.














